To Order Print Edition

Current
Portrait Reviews


Commentary
John Howard Sanden


Contemporary
Masterpieces
We Admire


The Portraits of
John Singer Sargent

Richard Ormond
and Elaine Kilmurray


Special Feature:
Philip de László
Paints a Portrait


Southern Exposure
Paul Newton


Portraiture and
The Pursuit of Excellence

Chris Saper


Painting Children's
Portraits

Ariane Beigneux
with Nancy M. Stember


The Adventure of
Portrait Painting
John Howard Sanden


The Great
Russian Artists

Margaret Baumgaertner


Painting the
Visual Impression

Richard Whitney


The View From
Brush Island Road

Robert A. Anderson


Exhibition Reviews

The Ten Greatest
Portraits Ever Painted


Hall of Fame of American
Portrait Painting


Studio Techniques

Reviews of
Equipment & Supplies


Book Reviews

Contributors

Contact Us

Home
 

sanden commentary index

The Matchless Albert K. Murray

Was he America's foremost portrait painter — after Sargent?


Albert Murray
1906-1992





here are those who believe that the greatest of all American portrait painters — after John Singer Sargent — was Albert Murray, the legendary New York artist (1906-1992) who created some of the most memorable and effective portraits ever painted in this country. An Albert Murray portrait was characterized by consummate draftsmanship, exquisite color, flawless craftsmanship — resulting in a truly penetrating rendition of the personality of the subject. Here are four outstanding examples of Al Murray's magnificent art:

2. Charles F. Kettering

One of the unforgettable sights of New York is the collection of Albert Murray portraits in the lobby of the Memorial Sloan-Kettering Institute on Manhattan's East Side. Here the painter takes a page from the Spanish master Velasquez, with a plain background blending from deep dark at the top of the canvas to a middle value below. The subject stands, hands in pockets, genially returning the gaze of the viewer. As in the Billy Wingate portrait, here both the light and shadow sides of the head are lighter than the background, while the shadow tones of the suit contrast strongly with the space behind. Here are the Albert Murray hallmarks — simplicity of conception, painstaking accuracy in detail, thoroughness and solidity in execution.

Oil on canvas, 1960
50 x 40 inches
Collection, Memorial
Sloan-Kettering Institute

page 1 2 3 4

sanden commentary index

Site created by A Stroke of Genius, Inc.